The accessories makes one look at the entire person and takes away some of sensory overload of too many flowers.
Wow! Admittedly the print seems rather much for her tiny frame, but here again we are treated to Letizia's sense of history, and the nod she always gives to her hosts. In Spain this outfit has received very good critics (in general terms). I hope she starts wearing them more often, even in several rows around her neck. The two of them are the most valuable pieces in the royal box. I am very glad QL finally decided to show one Collar de Chatones. Regarding sashes, we are in a different universe, not the fashion one. I wonder if the belt would have been more appropiate in dusty pink instead of green.Īnother thing: for the use of sash, usual rules for colours and matchings don't apply. It is the most important meeting of royals that almost everybody there is going to live. It's the moment for drama, for excess in jewelery and excess in luxury, diamonds, etc. I mean: this only happens once in a lifetime. We have to consider where she is: the enthronement of a new emperor in Japan, the oldest empire/kingdom in the world. The V-neck back was a lovely surprise and it's a joy to see her at this historical event.įor the first time QL reminds me of the Jequesa de Qatar, whose style I used to love: opulent, regal, exagerated, without fear to be in the limelight. I would have preferred this dress in it's current form with a built in waist band to taper the bodice, with the print on an overlay of chiffon or as a simple long sleeved column (same print) in crepe. A romantic French twist hairstyle would have been more stately than the loose curls while working elegantly with the head piece. I think this dress looks inexpensive compared to others she owns, that are impeccably tailored and don't require a waist belt to draw in the silhouette. I saw a close up photograph and the sleeves appeared unlined, the fit was also loose at the tops of the arms.The look book interpretation where the model is striking a pose with the dramatic train is stronger than how it translates in real life.
MATILDE CANO FULL
For such majestic stones structure was needed, in either a fitted bodice or a full length column gown, preferably in a block colour, which would have had the added bonus of being easily repeatable for grand events. Not in style, but the overall effect, enormous jewels faltering against a shiny, light weight dress. It reminds me of the white printed Cherubina piece worn at the Order of Garter Service in June. In addition, I am sure there was a meaningful tribute to Japan in the florals, but sadly I do not like this Matilde Cano. I appreciate the risk that was taken here, this ensemble is striking and the colour coordination between dress and accessories is beautiful.
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